This project is in keeping with the tradition of the Moulin Richard de Bas, which is the inclusion of flower petals and plants in the pulp in a random or illustrative way. Here this expertise is revisited by proposing a reasoned organization of the elements affixed to the dough. The petal, previously perceived as a floral element, becomes a repeated sign constituting a pattern, a writing, a pattern indicating a manufacturing gesture. This work explores the limit between abstraction and the persistence of the reading of the plant as a constituent of the sheet.